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Miyazaki is known for the imaginary worlds into which he thrusts his viewers, but Porco Rosso is one of his films set particularly in the real world. With her along for the ride, Porco Rosso battles sea pirates, a burgeoning union of bounty hunters, and the annoyingly persistent Donald Curtis. Instead, a team of female engineers descends on Porco Rosso’s plane, led by Piccolo’s granddaughter, Fio, who soon dispels any doubts the pilot may have about female engineers. Their initial fight forces Porco Rosso to take his plane to his old friend Piccolo, who’s sons have all emigrated to better shores. Called Porco Rosso, literally Crimson Pig, he has become a freelance bounty hunter with an eye-catching cherry red sea-plane. His relationship with hotel – and restaurant – owner Madame Gina causes some trouble as egotistical American aviator Donald Curtis attempts to pursue her only to be refused. World War I aviation ace, Marco Pagott, is inexplicably turned into a pig-human hybrid after his comrades die in battle. As one of few Miyazaki films specifically set in the real world, Porco Rosso drew attention for its political bluntness, becoming a film considered personal to Miyazaki’s own views. Eventually released in 1992 as a full-length feature, Japan Airlines, as a major investor, showed it in-flight before theatrical release. Porco Rosso, or 紅の豚 Kurenai no Buta, was originally intended as a short in-flight film for Japan Airlines, based on Miyazaki’s own three-part watercolor manga, Hikōtei Jidai (“The Age of the Flying Boat”). Featuring thuggish bounty hunters, an era of sea-planes, arrogant aviators, and a young top-class engineer, Porco Rosso is an oft overlooked fantastical Miyazaki adventure in our own world.
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The story of an ace bounty hunter cursed with the head of a pig, Porco Rosso takes on the political unpredictability and depressive post-World War I atmosphere of Italy and the Adriatic Sea.